Tuesday, June 17, 2008

MAX NORMAL.TV: GOOD MORNING DURBAN, ONS IS HIER!




FRIDAY THE 13TH: BURN NIGHTCLUB
PHOTOS: Kevin Goss Ross

The Durban leg of Max Normal.TV's Good Morning South Africa, MTV RAPS, Puma-affiliated album launch tour was a pretty Loki affair; several confused and intrigued-looking Burn regulars, the members of Durban's early-'90s-neon-tracksuit-top, sideways-cap,indoor-sunglasses electro mafia that weren't heading off to Westville for The Social Workers, and me. As usual, “The man with the plan,” Max Normal, was his magically off-centre and intense, multi-personality-channeling, hip-hop misfit self. It's just a sad fact that these days, all art, it seems, needs advertising to survive. Everything needs to be "monetised" and made "viable" – as the "Neon Don Likes Puma", and "Yo-Landi's hair by Scar" additions to the new and revamped "visuals for the Max Normal.TV, high-energy hip hop, Powerpoint presentation" testify.

To quote photographer Kevin Goss Ross, Max Normal.TV's set was “A verbal massacre. A word tornado. No no, an insanity hurricane of kiff.” Backed by The Neon Don, Justin De Nobrega, and Yo-Landi Visser, Max spat and mumbled his way through a passionate tribute to oddball South Africa. According to the website, “Max Normal raps about real things that happen around him during his normal, every day life. Max Normal's world is a dark, dangerous and exotic place, full of all kinds of unexpected twists and turns” – from Tik, Eugene Terror, gay sex, and remixes of DJ Fuck, to little bits of Mickey Avalon, New Order, and even Marilyn Manson (“I don't like the drugs, but the drugs like me,” from “Tik, Tik, Tik”).


The bodymovin' vibe that Max Normal.TV managed to cultivate in that mixed bag of people is a tribute to both the band's commitment to their characters and their energy as performers (this time, Max/Waddy's role-playing even included momentarily-disappearing wardrobe changes).

Max Normal is a natural frontman. A born entertainer. And onstage, he's an uncontrollable force, with a dangerous-looking nervous twitch, and a tendency to ignite, and float uncomfortably over your head.

Watch the new music video for “Total Fuck Up” by clicking the link below. The video was written, directed and produced by Max Normal and Yo-Landi Visser.


In closing, here are some inspirational words from the main man himself, from the song “Love Is”:

“Choose the quickest way between two points.
Don't waste your energy on bullshit interaction.
Don't be scared of anything except letting yourself down.
Out do yourself. Work harder than anyone else.
Now, make very clear distinctions between parasites and creators.
Be a creator instead of a second hand, artificial flavour.
Do not concern yourself with anyone's opinion of your method, save your own.
Be three steps ahead of everyone, and I promise you'll make it home.
Don't sleep too much.”

Checkout www.maxnormal.tv for more info.

“If your days are dark, and your friends are few. Remember, Max Normal.TV is there for you.”


Friday, June 13, 2008

Björk's Got "Wanderlust" - And Her New Music Video's As Nuts As She Is


Click here, or on the two pics below, to watch the video for "Wanderlust".



Released digitally, "Wanderlust" is the fourth single from Björk's 2007 album, Volta. Rendered in 3D, there are no words to describe it. It's weird, eccentric, and typically Björk. Just watch it. And if you think it looks impressive now, the single is also being released as a DVD, with 3D glasses! How cool is that?

The video was put together by Ghost Robot and duo Encyclopedia Pictura (click the link. If you've got your own 3D glasses, you can watch "Wanderlust" in 3D).

And if you're interested, checkout the weird video Encyclopedia Pictura made for Brooklyn-based, American indie rockers Grizzly Bear - truly bizarre:

Click the picture below to watch the video for "Knife" by Grizzly Bear


THE MAKING OF:

Click Here To Watch An Interview With Bjork.



Click Here To Watch the making of "Wanderlust".


Thursday, June 12, 2008

LOOK HOW FAR WE'VE COME - THE NEW FACE OF SOUTH AFRICAN MUSIC VIDEOS


Hog Hoggidy Hog's "John And Phillip Song" was the first local music video I ever saw. Back then, I was blown away. I couldn't believe that a local band, a punk band, actually had their own video. Fast forward about 10 years, and now, everyone's got one. And they just keep getting better and better – just another sign that, despite our disbelief, the South African music scene is progressing at an alarming rate.

Here's our pick of some of the best new ones, as well as a few classic oldies:

CLICK THE SCREENGRABS TO WATCH THE VIDEOS!

FRESH OFF THE PRESSES:

aKING (ft. INGE BECKMAN)
"Safe As Houses"

Dutch Courage (2008)


Bellville brooders aKING's new video is more about the concept than the execution. It's about building castles and being forced to watch them fall, as you fight desperately, and futilely, to hold everything together in the storm. Beautiful in its simplicity. Inge Beckman is suspicious (and foolish) in her absence.

Directed by Flyonthewall.co.za

aKING.co.za

MAX NORMAL.TV (ft. DUPPIE)
"Total Fuck Up"

Good Morning South Africa (2008)


There's nothing normal about Max. Over the years he's just got weirder and weirder. Crazier and more outspoken. At first, I was skeptical of the new dot TV band – surely nothing could be as good as the old Max Normal, full band sound? But you just have to check him out. Listen to the music. See him live. Read his book. Order the toys. Or watch a video. And you'll soon realise the complexity, the all-encompassing nature, and the humour of what he's up to these days. Classic video.

Written, produced and directed by Max Normal and Yo-landi Visser (Love or Dork Films).

Max Normal.TV

DESMOND AND THE TUTUS
"Pictures
"
Single (2008)


Silly, light-hearted and fun. Desmond and the Tutus are the little Pretoria punk kwela band that could – judging by their recent nationwide car advert. This latest video is another prozac dose of their trademark mixture of indie rock, African kwela rhythms, and the delicious way that they never take themselves too seriously.

Directed by Greg Rom (who directed Lark's "Moonlight").

Desmond and the Tutus Kids

STRAATLIGKINDERS
"Avontuur van 'n Hartbreek"

Bloeisels (2007)


Potchefstroom-based emo kids Straatligkinders (Streetlightchildren) have really gone all out on this one. Half shot on a X-ray machine, it's one of the most impressive local videos I've ever seen. Sure, it's a little generic. And they're only chasing safety. But they've found it. And X-rayed flesh tunnels look fucking cool!

Directed by Morgan Dingle.

Straatligkinders on MySpace

OLD CLASSICS:
CLICK THE SCREENGRABS TO WATCH THE VIDEOS!

LARK
"Moonlight"

Mouth of Me (re-issued 2007)


When I first saw it, this video reminded me of Bjork's "Army of Me". Seriously ahead of its time, the video is still impressive by today's raised standards. Lark disbanded in 2007.

Directed by Greg Rom.

Lark on MySpace

FOKOFPOLISIEKAR
"Ek Skyn (Heilig)"

Swanesang (2006)


This is still one of my favourite local music videos. Fokofpolisiekar really raised the bar for local bands when they exploded all over the local music scene, complete with world class music videos and an unfamiliar attitude that you've actually got to spend money to make money. Basically, it's a collection of moving photos, shot by photographer and honourable sixth band member Liam Lynch, on the band's tour to the UK. Last year, the video won an MK Award for Best Music Video.

Directed by Liam Lynch.

Fokofpolisiekar.co.za

TONIGHT WE DIE
UNKNOWN



This one, by Cape Town's Tonight We Die, really blew me away when it first came out. Come on. There's an animated robot in it! It does look and sound a little-dated today. But back then, wow.

Directed by Ben

TonightWeDie on MySpace

AND THE ONE THAT STARTED IT ALL (for me anyway):
CLICK THE SCREENGRABS TO WATCH THE VIDEOS!

Hog Hoggidy Hog
"John and Phillip Song"

Driving Over Miss Davie (2001)


"Oh, oh-oh-oh-ohh, oh-oh-oh-ohh, ohhhh-oh-oh." There's something pretty special in this video's simple honesty, even today. It's fresh, funny, and a little piece of modern South African punk rock history (if you're into that kind of thing).

I don't know if the director is still alive, or sane. If you're out there. Let us know?

Hog Hoggidy Hog on MySpace

YEAH, I SAID IT: CHRIS ROCK MAKES NO APOLOGIES IN DURBAN



Across the street from the Hilton Hotel, the ICC is a formidable place. From the outside, it looks like a massive wall of lights – the reason for load-shedding, moth Mecca, the City of Light. Inside, the massive gilded hall looked more like an air-hangar scattered with 1000s of fancy plastic chairs, custom-designed for heavy laughter – like rubberised, earthquake-friendly buildings in Taiwan. And that little rubber joint, between the base and backrest, was for a reason. In May, Chris Rock broke the Guinness World Record for the highest attendance at a UK comedy show when he played to 15,000 fans at London's O2 Arena. Time Magazine calls him, “The funniest man in America.” And, when he finally walked, no, strutted out in Durban, you knew you were in the presence of standup comedy royalty.

First up though was Mario Joyner, Rock's comedy fluffer, or as he put it to the streamloads of people pouring in through the side and rear entrances for most of his warmup show, “Don't worry. That's why they send me out here. So people can find their seats before the real show starts.”

Joyner is a longtime Chris Rock friend and collaborator, most famous for his cameos on Everybody Hates Chris and Seinfeld. At first, I thought he was going to be just some dude they sent out to make Rock sound even funnier. But, flick-flacking across trivial, mundane, irritates-the-shit-out-of-everybody gags – like a blacker, more sober version of Mitch Hedberg – Joyner was hysterical;

“These days you can get laser eye surgery. LASER, IN YOUR EYE! But prostate exam – finger in the ass. A finger isn't even an instrument. It's what you use when you don't have an instrument. Is nobody working on any advancements in this area?”

“I hate having to run around to try and trap a weak signal. And the phone companies try and make you feel like it's your fault. 'Hang on, I'm getting a bad signal.' No you're not, they're sending you a bad signal. What the hell is a bad area? If I'm in an area, and I have a phone, that's a good area to make a call in.”

“What's up with the mute button on phones? That must have been a great day for the mutes, when they all got together, marched down to the phone company, and told them their demands. I know mute people are handicapped and stuff. And you're not supposed to make fun of them. But I told that joke to a bunch of mute people, and they didn't say anything.”

Joyner's bit was short, fresh, and to the point. And, with jokes like, “I'm 46-years old. And I'm dating a woman half my age. You've got to try dating a person half your age. But wait till you're older. Or it's kind of illegal,” “It's only a mid-life crisis if you can't pull it off,” and “I live by myself, living alone sounds bad,” you know that he's living one of those enviable Henry Rollins, Russell Peters, eternally single, travel-the-world lives that society frowns upon; “People always ask me, why aren't you married? BECAUSE I WANNA STAY HAPPY! Married people are so devious. They just wanna try and trick you into joining their miserable little club.”

His act only lasted fifteen minutes, but he's a comic I'm definitely going to be researching; “Gotta watch the time. Chris don't like it when you go over. He'll dock yah.”


Click here to watch Mario ripping Steven Segal a new one

“PUSSY COSTS MONEY. BUT DICK'S FOR FREE”

Click here to watch Rock's classic "Niggas VS Black People" bit
!

The lights went out. A giant green money backdrop appeared, with a crest-looking CR logo. Rap music started blaring around the hall. And suddenly, pint-sized comedy legend Chris Rock was onstage. Buck toothed, nasal, and OH-ffensive as hell.

Rock started out joking about meeting Nelson Mandela, “It was an honour being around Mr. Mandela, but we don't really have a lot in common. He's 79 (89), I'm 41. He spent 27 years in prison, I worked at a Red Lobster for four months. I didn't know what the fuck to say to him. 'So, have you got that new iPhone?'”

One of his funniest bits was the American elections; “Barack Obama! That's about the blackest name I ever heard. Second only to Dikembe Mutombo (Congolese-born American basketball player). When you hear Barack Obama, you picture a brother holding a spear, standing over a dead lion and shit.”

Dipping into the black versus white jokes he's most famous for, Rock added, “Barack has one handicap to overcome that none of the other candidates have. He's got a black wife. Now I think a black woman could be president all she wants, but she can't be no first lady. A black woman cannot be in the background of any relationship – 'You won? Don't you mean we won'. If Barack wants to win. He's gonna have to get himself a white girl. Look what it did for Tiger Woods.” At that point, the black woman next to me shouted, “Look what it did for Tokyo (Sexwale).”

Rock continued to discuss the intricacies of the black-man-wanting-a-white-woman, black-women- hating-black-men-that-prefer-white-women debate; “A black man likes a big white girl. Any black man will dropkick Keira Knightley to the curb to get to Rosie O'Donnel.”

Another classic downtrodden-black people joke he told was about his own neighbourhood; “My house costs millions of dollars – don't hate the player, hate the game – but in my whole neighbourhood, there are only four black people; Me, Denzel Washington, Mary J. Blige, and Jay-Z. Do you know what my white neighbour does? He's a dentist. And he aint even the world's best dentist. He's just a regular, yank-your-tooth-out dentist. Another example of how the black man has to fly, to get to where the white man has to walk to.”

Rock continued to offend as many people as he could for an hour and a half, finally ending with these “pearls” of wisdom; “I remember the first time a woman sucked the cum out of my dick and swallowed it. It was amazing. Now, half the people in here are disgusted. The other half are in loving relationships. Spitters are quitters. Remember that, SPITTERS ARE QUITTERS. I'm outta here.”

Rock's show was a little shorter than I'd expected. And his South Africa references were limited to talking about how many goals Shaun Pollock scored? (I was sure he was going to talk about Xenophobia). But Chris Rock is one funny little whiny bastard. The crown prince of stylish comedians. And, a great way to spend a Tuesday night. If you can, and you can afford it, make sure you see him in action.

Interestingly, in an interview with news website CTV.ca, Rock said that he didn't consider the Xenophobic attacks black on black violence. Instead, he calls them “broke on broke violence. It's poor people robbing each other.”

A FEW MORE CHRIS ROCK CLASSICS FROM DURBAN:


“I wanna do a good show. 'Cos I don't want the authorities to come and take my kids away. Did you see what they did to Britney Spears? They just took her kids. And gave them to her broke ass husband. And I realised, they take white kids away a lot quicker. Whitney Houston and Bobby Brown, they kept the kids. Shit, even OJ Simpson kept the kids, and he MURDERED the mother! I saw OJ on TV talking about how hard it is to be a single parent. But OJ, you killed the mother!”

“Is America ready for a black president? Is America ready for a woman president? We should be, we just had a retarded one.”

When discussing 71-year-old American presidential candidate John McCain, “He's so old he used to own Sidney Poitier”.

“Hillary Clinton is so forgiving, even Jesus is like, 'Shit, you're forgiving. I talk the talk, but you walk the walk.”

“Do you know how big your ego has to be to run for president? Do you know how much Puff Daddy juice you have to drink. Do you know how many Kanye injections you need to take? Imagine you're walking out of a KFC, and your friend turns to you and says 'You know who should run everything? Me!'”

“Part of me even hates my own kids. The rich brats. I grew up dirt poor”.

TRUST NO-ONE: THE NATURE OF THE PRODUCT PLACEMENT BEAST



When Tony Stark (Robert Downey Jr.) is finally freed from the torture of his Afghani desert prison cell, in the recent Iron Man film, he turns around and, in his most patriotic voice, says, “Get me an American cheese burger!” In the next scene, on his way into a press conference, Stark is handed a Burger King bag, the logo carefully turned to face outwards, and friend-turned-villain Obadiah Stane (Jeff Bridges) says, “You had to stop at Burger King” – just to make sure he drives the point home, and gets paid. Watching, I nearly puked up my trailer-eaten popcorn and the handful of (unnamed chocolate brand) I was busy shoveling.

Another recent, otherwise-quality film tainted by the sins of the greedy is J.J Abrams' epic new horror adventure Cloverfield. The handheld first person camera technique really sucks you in. You trust its immediacy. The film becomes a high budget, thrill-a-minute, emotional roller-coaster. That's why the scenes in the subway, with the Nokia poster backdrop, and the shots of one of the protagonists, post-invasion, propped up against a subway wall, Mountain Dew logo clearly visible to the top right, seem even more offensive than your usual Will Smith product endorsement affair. Later on, the main character, Hud, drops the camera on the floor just long enough for a pair of swooshes to be clearly visible. “Those are cool shoes,” a friend of mine said.

Now I don't know about you, but I don't want to be this skeptical, integrity-questioning cynic that these movies have made me become. I just want to be able to watch a movie, switch off, and trust in the magic of entertainment. Why can't they just tell a story without selling every square inch of space to the highest bidder?

Imagine your mum or dad's reading you a bedtime story; “The prince, wearing his Nike Air Force 1s, climbed the Black & Decker ladder up the Dulux-painted, Coca Cola castle wall. He was on his way to save Princess Revlon from the Iron Fist of The McDonalds dragon. Tired, he paused and sipped the Red Bull Merlin had given him earlier. Then, he reached into his pocket, grabbed his Nokia N73, and checked his messages. Nothing. Time, according to his Tag Heuer Grand Carrera, to go...” It just wouldn't work, would it? 'Cos, how the hell are you supposed to escape reality during a commercial break? What's next, paid-for advertising in our dreams?


But product placement is nothing new. It's just becoming more blatant and common practice, as advertisers search for new and more inventive portholes into our brains. But for some reason, in the old Back to the Future, ET days, product placement just didn't carry the same kind of soul-crushing stigma. I guess back then, our brains were just wired differently, the world hadn't gone consumer mad, nobody had sales rabies. We could tolerate the fact that ET's favourite chocolate was Reese's Pieces, or that Marty McFly wore Nikes, got called Calvin Klein, and drove a De Lorean. Shit, De Lorean even went broke after the movie. Maybe we just hadn't been subjected to it enough to build up an immunity.

In the 1992 comedy Wayne's World, Wayne (Mike Meyers) and Garth (Dana Carvey) go all out making fun of product placement and sponsor obligations; “Contract or no, I will not bow to any sponsor,” says Wayne, holding up a slice of pizza and lifting the lid of a Pizza Hut box. “I'm sorry you feel that way, but basically, it's the nature of the beast,” replies TV executive Benjamin Kane (Rob Lowe). “Maybe I'm wrong on this one, but for me, the beast doesn't involve selling out,” says Wayne, this time holding up a bag of Doritos. “It's, like, people only do things because they get paid. And that's just really sad,” adds Garth, dressed head to toe in Reebok. Funny then, but depressing now, when you consider the product placement crimes committed by Mike Meyers' more modern comedy persona, Austin “Mini Cooper/AOL” Powers.


Click to watch the classic Wayne's World scene
!

One of the most successful product placements of all time is the Z3 Roadster deal BMW struck with Golden Eye and James Bond, in 1995. Golden Eye was the first of a lucrative “three picture deal” BMW signed with the film franchise. Needless to say, a world of mid-life crisis Bond fans went out and bought Z3s. Even more sickeningly, Golden Eye was also the first Bond film where Bond wasn't wearing a Rolex – Omega had a better deal this time.

These days, if you see a logo in a movie, the company paid for it to be there. And as far as movies laced-with-advertising movies go, 2004's I, Robot is the pinnacle of excess. Nothing detective Del Spooner (Will Smith) does comes without a contract and a paycheck; he listens to music on a JVC CD player, drives an Audi, and gets his mail from FedEx. Remember that scene when he goes on and on about his pair of Converse Chuck Taylor All Stars? Disgustingly, Smith even holds them up and says, “Converse, vintage 2004,” like it's an actual Converse advert. Why the hell is this guy trying to sell me sneakers when he should be out there trying to catch bad robots? And, surprise surprise, you can order I, Robot edition, Converse Chuck Taylor All Stars online – what a sinister world we live in.



In the 2004 Wesley Snipes horror Blade: Trinity, there's a ridiculous scene near the beginning, where Abigail Whistler (Jessica Biel), basically, gives us an iPod/iTunes/iStore presentation. Abigail talks about the thrills of killing vampires to a soundtrack, downloads music from the iStore, and puts together a killer playlist for her next sharp-toothed encounter. In 1993, Demolition Man was pretty much sponsored by Taco Bell (Pizza Hut if you live outside the US). In 2000, Tom Hanks hung out with nothing but FedEx bags and a Wilson volleyball when he was cast away on that island. And then there's Spider Man, shooting webs at Dr. Pepper cans and landing on logo-perfectly-visible Carlsberg trucks.

For me, thinly-veiled attempts like these to sell me something, while I'm trying to mellow out, unplug from reality, and enjoy a bit of light entertainment, ruin a movie and taint its authenticity. Actors like Will Smith and Tom Hanks become brand ambassadors first, and entertainers second. It's what we in the trade call advertorial. It's not advertising. It's not editorial. Instead, it's a satanic mismatch of both, fueled by innovative, 21st Century door-to-door salesmen, looking for new and more direct ways into your brain. And I haven't even mentioned product placement in video games. But gamers know it's a market that has been bitten, and it's just a matter of time before the rabies start showing symptoms. Trust no-one out there.


Iron Man, according to Burger King:





Burger King's new Indiana Jones range:


Wednesday, March 12, 2008

aKING Bring Cape Town to Durban: They Even Brought the Rain.




I didn't know The Pointer Sisters were in town. Do aKING have triangular shaped toes? Were they playing the roles of cultural ambassadors of Cape Town? Or do they just have a new shoe sponsorship? I'm going with triangle toes, that's way more impressive.

Society, in trendy Florida Road, is not the kind of place that'll turn a blind eye and a smile to a bit of puke and a few broken bottles. It's a high class establishment. Pink shirts, heeled shoes, and frequent "trips" to the bathroom. The Cape Town Embassy Building in Durban, if you will. And as such, it's the new venue of choice for out of town, “high brow” bands like Lark, The Dirty Skirts, Desmond and the Tutus, and now, aKING.

I can see why they like it. It must feel like home away from home for them. But by playing at Society, aKING completely bypassed the entire Durban music scene. The people that pay to watch bands, every weekend. To them, aKING aren't even on the map yet. Which is shame, because they're a great new band, that's well worth seeing.

I'd heard some negative feedback about aKING's Ramfest show. Then again, that was from people that weren't even there. But from the first few chords of “Decomposing Lullaby”, to the sombre mellowness of “Shine Your Light”, aKING were confident, tight, and elegantly rock 'n roll.

aKING are a much more controlled live act than the reckless abandon of a Fokofpolisiekar show. But if you look closely, beneath all the refined composure and structured thoughtfulness, they're giving it their all, hearts on their sleeves, even though the circulation in their toes must have been getting cut off.

The sound was great. Live, aKING sound as good, if not better, than their album. And it was a cool Tuesday night in Durban. The kind that makes you think it's the weekend, when the week's only just begun.


Click here to watch the video for "Safe As Houses"


Click here to watch the music video for "The Dance"


Click to visit aking.co.za


Thursday, February 28, 2008

Ex Black Flag Legend Henry Rollins Lets Loose...



Photo by Anton Corbijn Corbijn.co.uk

"I’m not really proud of anything I’ve done. It’s not a thing I understand really."

An Interview With Henry Rollins:

Henry Rollins is an anarchist role model. He's a loner, a manic consumer of information that hardly ever sleeps, and hangs out with his room-mate; a pet snake. He's also addicted to travelling, “travelling should be a law”. He just picks a destination and goes. Travelling to places like Pakistan, Afghanistan, Iraq, Iran, and Lebanon. If it's on the news and looking dangerous, chances are, Henry's booking a flight. Recently, he was in the country for two shows in Jo'burg and Cape Town. The Cape Town show was filmed for a DVD/movie.

So, obvious question first. How did a Henry Rollins South African tour materialise? Is it something that you've always wanted to do and pursued yourself, or did the opportunity just kind of fall into your lap?

It came up a couple of times but was never confirmed. I was always interested in going. I am happy to go anywhere for a show. And so finally, it worked out and I am very glad about it.

Have you been brushing up on any South African issues, in the time leading up to the tour?

The Separate Amenities Act, that was a great one! How about the Group Areas Act? That was AWESOME!!! Old favourites of South Africa? Pal, if I were you, I would distance myself from your country’s immediate past with as much speed as possible.

How closely have you been following, or how familiar are you with major South African issues like AIDS, unemployment, rape, murder, and crime in general? How much coverage do these issues get by the American media?

Sounds like Arkansas to me. We have all that stuff as well as fake wars that bleed money and resources, massive trade debt to China and Saudi Arabia, a disintegrating middle class, an evaporating dollar, a healthcare crisis, and a declining literacy rate. As far as coverage, not much really. But I don’t watch television news much anymore. At this point, America seems to be only concerned with America. Which is too bad I think.

How much attention do you pay to the rest of Africa? Like what's going on in Kenya? Or do you mainly focus your attention in and around The United States?

For the last few years, most of my reading time and attention has been on America, Iraq, Bush, oil, Iran, Syria, terrorism and things like that.

Are you fans of celebs like Bono, Angelina Jolie, and Bob Geldof? How much of a difference do you think people like these make?

I think they are all sincere and dedicated and perhaps shed light on these issues that should be of great concern to all. But in the end, there doesn’t seem to be much happening, that is to say, there are still these ongoing problems. I do think those people get a lot done though.

From all accounts, you seem like a huge fan of music, a connoisseur, a music collector. Were you a fan of South African reggae star Lucky Dube?

I have heard of him but didn’t know he was South African. Most of the Reggae stuff I have is dub stuff and a few other artists; Scientist, Perry, King Tubby, Tenor Saw, Dillinger, people like that. There’s a lot of good albums on the Blood & Fire label I like but for the most part, I don’t know a great deal about that kind of music. But I’m working on it and have a very good teacher. It’s too bad he’s dead.

Do you ever get tired of talking about punk rock, Black Flag, State of Alert, and the influence of it all? Or can you never be asked enough questions about your punk-rock/hardcore past?

It’s part of my life so I get asked about it and do the best I can to answer clearly. I don’t mind, but I really don’t like talking about the past all the time. I try to hang in there.

Just in case, here's a few more. What attracted you to Black Flag, back in 1981, before you joined the band? What was it that appealed to you so strongly?

I thought they were a great band. I thought the lyrics were brilliant and Ginn’s guitar playing was one of a kind. I still think that way.


Greg Ginn

Was quitting your job as manager of Häagen-Dazs, selling your car, and moving to LA to join the band ever something you agonised over? Or was it, “Hell yeah!” all the way?

It was a decision I made very quickly. I saw what I could do at my job and knew it was a dead end and so it made a great deal of sense to take a chance with the music. There are minimum wage jobs all over the place.

Can you remember what you did straight after you got your Black Flag logo tattoo?

I walked back to the house we were camping out at in Hollywood.


Black Flag's logo.

Back then, as a member of Black Flag, you had people on your case the whole time. You had parents showing up when you rolled into town, mayors and religious groups trying to shut down your shows. Was that a rush, or just a complete nuisance?

We just wanted to play the music so anything that happened was annoying. We were a serious band that wanted to work hard.

Did the protesters ever get violent?

Not in my memory.

Why do you think people don't react the same way, on the whole, these days? Is it from a dumbing down and dilution of the music and the message, the desensitisation of the modern world through modern media, alienation? Or does nobody give a shit anymore?

I think culture absorbs things like music and art and they are less impacting after awhile. I am sure there were people who thought the world was going to come to an end when Elvis arrived.

Black Flag had a lot to do with aggression, angst and physical violence. How much of it was you working through your own personal demons?

As far as the violence, it was around a lot but as far as fights, I was always reactive, I didn’t instigate anything. I worked things out by writing and performing, that kind of thing. It was the perfect enviornment to shake rattle and roll in though.

Looking back now, how do you feel about the intensity and the violence of the shows?

It was real. It was that time. It isn’t anything you feel really, it’s just a fact. I don’t feel any particular way about tomorrow being Tuesday. I think music and youth culture was changing and in that came some growing pains, turbulence and chaos.

Do you ever wish you could change things, or go back and offer young, angry and poor Henry Rollins some advice?

Sure. “You should have killed the motherfucker.”


Henry Rollins, Black Flag. Photo by John C Burley

When campaigning for causes like women's and gay rights, do detractors ever bring up incidences of violence from your past, to count against you?

I’ve never been violent against gays or women. I don’t really campaign for anything as much as question why anyone would care that two gay people want to get married. What’s it to you? Get a life. That kind of hatred is so incredibly stupid. I have nothing to do with the issue. The issue is the issue and there’s nothing in my past that changes the issue.

In an interview with The Modern World you said, “Well, you see this guy’s take on women. You can’t justify misogyny on any level, but you can go; well, you know, things were a little different then.” Do you think the same kind of logic could apply to any Black Flag songs?

You write what you feel at the time from what you see and experience. If your reality changes, then perhaps something you thought back then doesn’t work now. It’s what happens when one grows and accrues more experiences.


Have you ever thought about getting into politics?

No.

The Chase was your first movie, hey? I remember it. Charlie Sheen having sex with Kristy Swanson, in a speeding car, while being chased by the cops. How did you first get into acting?

Crispin Glover told me I should act. I thought it might be interesting to check it out.

Did your first on set duties feel at all surreal?

A little but as soon as you understand the mechanics at work, things make a great deal more sense.

From reading several past interviews with you, it seems like you don't even watch a lot of the films you're in. Is it always just a pay-check, or do you have any favourites you're proud of? Johnny Mnemonic, maybe?

No. I just work and do the best I can every single time. It’s work and I take it very seriously but I don’t take myself seriously. I don’t do a lot of looking back with work. I do it, finish it, and then do something else. I’m not really proud of anything I’ve done. It’s not a thing I understand really.

Do you ever watch that show Dinner for Five, with Jon Favreau? If you could choose, who would your four dining partners be and why?

I did that show. It was a good time. Best part about it was the food. I don’t know who I would like to eat with. I like to eat alone actually.

Top five films of all time?

Apocalypse Now, Sling Blade, Seven Samurai, Doctor Strangelove, Animal House.

I've read accounts that you were bullied as one of the few white kids at a predominantly black school. Did that ever give rise to any anti-black, pro-white feelings in you? Or could you always identify irrational hate?

No. I never went down that road. My mother explained where it was all coming from and I got it.

Did being bullied and picked on early on had something to do with you wanting to be so huge, strong and powerful?

No. I train for the work I have to do. For shows, I needed a lot of quad and lumbar strength so I trained that way. I wouldn’t describe myself the way you just did though.

Do you think that your relationship with your father had something to do with your desire to be big and strong?

I have not seen him in over 20 years. I really don’t know the guy. I trained really hard for many years, it was an interesting trip but had nothing to do with him.

How did you end up following a straight-edge lifestyle? Was it just what worked best for you, or did your close friend Ian MacKaye have an influence on your decision?

I don’t have any kind of lifestyle. I don’t know what all of that is about as it seems to change from house to house. I don’t want to smoke, drink or do drugs because it seems to be the last things you want to do if you also want to get somewhere. It’s that simple for me, really.

How did you feel when NOFX wrote the song “Straight Edge”? Did you get the joke, or were you just pissed?

I have never heard the band’s music. I have read quotes from the singer fellow and he doesn’t seem to like me. I am not aware of ever meeting him.

There seems to be an influx of Black Flag in my life lately. From the video game Skate, to the latest Rise Against EP. Who are some of your favourite modern day punk bands?

I don’t know if I know what that means at this point. I listen to a lot of new records but I don’t know what genre they are in. Perhaps noise, bands like Wolf Eyes, The Planet The, Yellow Swans, Hair Police, stuff like that. There’s a lot of good bands around these days, Dax Riggs, Sunn 0))), XBXRX, The Mae Shi, Deer Hoof, Grinderman, a whole bunch, I don’t know exactly what you call them though.

How much do you enjoy your DJ time, playing the records that people just have to hear?

I like that job a lot.

How often do you work out these days? What kind of a routine did you do this morning?

I try and work out one way or the other 4-5 days a week. Today was a lot of walking. I was in a small British town.

If you don't work out for a while, do you start to feel weird and uncomfortable?

Yes.

In 1984, journalist Michael Azerrad commented about yout, “His powerful physique was a metaphor for the impregnable emotional shield he was developing around himself.” Was he right?

I think Mr. Azerrad needs to get out a little more often or perhaps get in touch with his homoeroticism. Have a word with him, will you?

How therapeutic do you think all your various creative outlets have been for you?

Hard to say, I have been at it all so long, I don’t know what I would be like without all the stuff I do.

What's been the most moving moment of your life, so far?

I guess my friend getting shot next to me.

What does freedom mean to you?

To be able to go.

How hard was it doing the USO tours, when you're not a fan of the Bush administration? Or, did you just put your personal differences aside, and talk to the troops as human beings, and not as soldiers?

Armies don’t start wars. Rulers do. Having a beef with a soldier about the war is like having a beef with a cop about the law. The soldiers are great. It’s not their war, they’re just fighting it. So for me, it was never a matter of putting anything aside, I was happy to get out there and meet the troops. I do a lot of that stuff.

Do you like the term renaissance man?

I don’t think it applies to me. I just work for a living.

Finally, in an interview with Underground Online, you said, “I'm this fearful home-owner, and when I'm on tour, I hire someone to sit and protect my things. I'm one of those people I probably would have sneered at when I was 20.” Do you still feel the same way, or has '80s Henry made peace with modern day Henry?

You live your life and you change as you go. When I was young, I didn’t think past the next meal so my worldview is not what it is now. It’s not a matter of making peace with anything, you just life your live and do the best you can.


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